BLOGGER'S NOTE: This recap contains spoilers, so if you haven't seen the episode yet, move along.
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By Edward Copeland
"We're all living in sin. We try and we try, but still we make mistakes," a character says tonight. While the main recurring question so far this season on Boardwalk Empire has concerned who or what you're fighting for or who you'd defend, tonight's episode takes that question for many characters to a more spiritual level. Most of the focus aims less at the various machinations (though there are plenty) and more at sins, the soul and judgment. Even some of the gangsters, who have no qualms at dealing out revenge on traitors, stick to their own religious orthodoxy as they do it. While tonight's episode is exceptionally well directed, it inevitably slips a bit from last week's great episode, especially its Richard Harrow storyline. My one complaint about the previous episode was that it ignored plot points from the previous week that it would seem necessary to get back to immediately. Tonight's installment does at least go back to those but doesn't speak to last week's major incident as Shea Whigham's Eli doesn't appear at all after leaving the city short a ward boss (By the way, are any of the ward bosses besides Damian Flemming continuing to make collections? If so, who gets the money?)
This week's installment was written by Bathsheba Doran, who gets her first Boardwalk Empire teleplay credit. Prior to working on the show this season as a staff writer, her previous TV writing experience appears to be exclusively in comedies and sketch shows. Jeremy Podewsa directs "The Age of Reason" following previous work on one of season one's best episodes, "Anastasia," which earned him an Emmy nomination for oustanding direction, as well as directing episodes of Six Feet Under, Dexter, The Tudors, Rome and many others. He also earned an Emmy nomination for co-directing part eight of The Pacific with David Nutter.
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The show opens with a slow pan down the hall of the house where Van Alden and Lucy live, getting closer to Nelson who sits on the edge of his bed reading The Bible. "Pick up some lemons on the way home from work, would you?" Lucy bellows from another room. Even though Van Alden and Lucy's storyline still seems light years removed this season from anything dealing with the show's main storylines, Michael Shannon's performance continues to provide moments worth watching. This time, it's the silent glance he gives when his eye looks right toward the direction of the shout while his left hand — wedding ring quite visible — covers his mouth as if stifling a scream. He closes his eyes tightly but reopens them when Lucy adds, "I gotta eat lemons." He puts down his Bible and glares down the hall. He walks down the hall in her direction, filmed from behind as only a shadow. Each step he makes as he finishes tying his tie on the way sounds like a horse's hoof beat — Agent Van Alden of the Apocalypse. Nelson finds the very pregnant Lucy sitting in a chair at the kitchen table, holding her back. "You hear what I said?" she asks. "You want lemons," he says as he buttons his vest. Lucy tells him that she can't get comfortable. "Agent Clarkson is in a hospital bed with third degree burns over most of his body. I would venture to say that he can't get comfortable either," Nelson tells her as he toys with his shirt collar. "I'm sorry about that. I just want to be done with it," Lucy whispers. Nelson stares at her, but he's nearly as difficult to read at times as Richard Harrow when he wears his tin mask. "I will pick up lemons," Nelson promises before grabbing his jacket and briefcase and leaving.
That scene cuts to an image of a figurine depicting Jesus on the cross. "We're all living in sin. We try and we try, but still we make mistakes," a voice says. The camera pans to the right of the crucifix and we see Teddy Schroeder transfixed by it. It moves behind him and we see that Teddy and his mother sit in front of Father Brennan (Michael Cumpsty), the priest in charge of the parochial school that
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As prosecutor Charles "Chip" Thorogood begins to make his case before Judge Ketchum (Edward James Hyland) that the election rigging case against Nucky should be transferred to federal court, the judge interrupts him because he's distracted by his footwear. Chip happens to be wearing green shoes. "Very demonstrative," the judge comments as Ginsburg takes a peek from the visitors' gallery and State Attorney Bishop sits at his table. Thorogood starts to go into the details of the Mann Act, making sure to note that the Justice Department was made aware of these violations by the press instead of the state attorney. The judge tells him he knows what the law is, but he doesn't see how it relates to election rigging. "If I may your honor," Bishop stands up and says. "You may not," Ketchum replies. "The defendant, Mr. Thompson, is accused of paying these women to coerce potential voters by employing their feminine wiles," Chip argues. "Sex — intercourse," the judge interjects. "Yes! Given the high profile nature of this case, we think it appropriate that the federal government take over what the good state of New Jersey has begun. That way we may prosecute Mr. Thompson to the full extent of the law," Thorogood concludes. The judge declares that he's inclined to agree with Chip. Bishop bows his head as Ginsburg flashes a grin.
While Harlan (Julian Rozzel) shines Nucky's shoes in his office, Thompson looks over a book called Young People's Bible History (which notes that it's illustrated) and writes an inscription inside beneath the words "A Sacred Token." Harlan asks if the book has Daniel in the lion's den in it. "My boys love that one," he says. "For my nephew. He's making his first confession," Nucky explains. "You a churchgoing man?" Nucky asks. "Oh, I never miss a week. Shiloh Baptist over on Arctic," Harlan replies. Shiloh Baptist Church is and was a real Atlantic City church and occupied that site on Arctic and Ohio Avenues from 1898 to 2003 when it moved to a new larger
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This episode contains a lot of nice visual segues. Nucky closes the book in his scene, we find Leander reading from one in the next. "I am indebted to my father for living but to my teacher for living well," the Commodore's longtime lawyer recites. "Alexander the Great," Jimmy says from a couch in the Commodore's great room, Gillian seated nearby. "Son of the king," Leander adds as he hands the book to Jimmy and we see for the first time that the Commodore also is present, in his own infirmed way, in a wheelchair, barely showing more life than all the stuffed displays of the wild animals he once killed. "A king who's very proud of his heir," Gillian states toward the Commodore, who nods slightly. "My teacher. What about him?" Jimmy asks Whitlock. It's only taken six episodes, but finally we're getting a scene where Dominic Chianese gets actual dialogue instead of just a token line or two, a toast in Latin or only stands there speechless. "Nucky? He's always thinking ahead. This ploy with the attorney general," Leander comments. "You sound impressed," Jimmy notices. "It's a clever move. I wouldn't have thought of it," the longtime lawyer admits. The Commodore makes some unintelligible sounds and points with his left hand. Apparently, Whitlock can interpret what he's thinking even in this state because he responds, "I'm sorry Louis, but give the man his due."
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Lucy takes a plate to the kitchen sink when she feels a pain in her stomach and drops the tableware to the floor where it shatters into several shards amid the initial drops of her water breaking. Now, Lucy's storyline for this episode, quite frankly, isn't conducive for an exciting, blow-by-blow recap, so I won't be returning to describe every scene involving her until toward the end of the episode because they all consist of Lucy alone in the apartment in labor and in pain. Remember, Van Alden didn't equip the residence with a telephone, so she can't call someone to come over and help. Needless to say, she can't easily make an attempt to get out of the apartment on her own either and she doesn't try. They do have one sequence when Lucy writhes in bed in agony and notices a little boy in a window in an apartment across the way brushing his teeth. She tells him to go get his mother but the frightened-looking child instead just closes the curtains on his window. Therefore, until we get to later in the episode, when Nelson returns home, I will not be recapping all the Lucy scenes. Just assume that while everything else transpires, she's having a painful labor in solitude that we occasionally drop in on to watch.
Eddie pops the cork on the champagne as most of the principals (except State Attorney Bishop, of course) in Nucky's legal case gather in his office to celebrate Judge Ketchum's ruling. "Only my third time before a judge — can you believe that?" a giddy Chip Thorogood boasts.
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Owen walks in Nucky's house carrying Teddy over his shoulder with Margaret not too far behind. Katy stands near the entryway. "Where do you want this sack of potatoes, ma'am?" Sleater asks her. "Anywhere will be fine," Katy answers as Owen puts the boy down and he scurries off. Owen asks if Margaret needs him for anything else, but she says that will be all. "You're looking fetching today," he tells Katy. "Why thank you, Mr. Sleater," Katy blushes. Owen then leaves, passing Margaret, who has a disapproving look on her face. Katy begins to exit the entryway when Margaret asks to have a word with her and they go into an adjoining room. "I can't help but notice you and Mr. Sleater. There seems to be quite an attraction," Margaret comments. Katy admits Owen is very handsome. "But it's more than that, isn't it?" Margaret says as she removes her gloves in a very toying way. "I don't know what you mean, ma'am," the maid responds with her eyes cast downward. "Don't be coy, Katy. It doesn't suit you," Margaret tells her as she continues to play with her gloves even though they're off. She crosses the room, lessening the distance between her and her servant. "Your behavior — yours and his. There are children in this house, as you are well aware," Margaret declares as she leaves the room. Katy doesn't look happy.
There's a fakeout for you — Nelson sits in a hallway as a nurse walks toward him carrying a baby. Nah, it's not his and Lucy's. The nurse keeps walking. A different nurse (McKenna Kerrigan) comes out of a room and tells Van Alden that he can go in now. He walks in gingerly
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Nucky's voice begins to be heard while Nelson still stares at that light. "Run it down so everyone's on the same page," Thompson says. We see he's addressing a large meeting of all the bigwigs involved in his liquor operation now that it runs through Philly. "Tomorrow night. Weather's fair, so we'll get as close to shore as possible," Bill McCoy tells the room. "We've got speedboats — over a dozen — the whole pickup will take less than an hour," we're informed by the often-mentioned-but until-now-unseen Waxey Gordon (Nick Sandow). The
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Jimmy strolls down the lit-up Boardwalk at night with his arm around Angela when he spots a display for the Atlantic City Wireless Radio Exhibition. "Wireless — look at that," Jimmy points out. "Music is everywhere suddenly," Angela says. "We should get one of them," Jimmy declares. "It would be nice for Tommy — introduce him to the classics without spending a fortune on records," Angela suggests. She tells Jimmy that she also read that immigrants were using it to learn English. As Angela continues to talk about wireless radio as a teaching tool, Jimmy spots Nucky, Waxey and Herman Kaufman walking out of the Ritz Carlton so he sweeps Angela into a passionate kiss to make sure they don't see him, though he keeps his eyes peeled on them. "What was that for?" Angela asks, assuming Jimmy hadn't been caught up in the story of immigrants learning to speak English. "I guess the music got to me," he replies as they continue their walk.
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Nelson calls Rose from a phone booth at the hospital. "Hello, my dear," he says when she answers. "Nelson, it's nearly 11 p.m.," Rose responds, surprised by the lateness of the call. "One of my officers, Agent Clarkson — you met him — he's been very badly hurt," he tells her. "It happened some time ago. (That's an understatement) There was an explosion, but still I should have been there." Rose sits down at the desk by the phone at their home. "Nelson, no" she says. It's very much a mirror of the opening shot of Van Alden in this episode. The camera begins away from him some but slowly closes in as he talks as opposed to his silent reactions before. "There are things you don't know Rose about me, about this job. I'm not fit." There is no priest and he may be in a telephone booth as opposed to a confessional, but he's sticking with the episode's overall theme and confessing — or trying to at least. "Nelson, you aren't responsible for the evils in the world. You're the one — " We can't hear the completion of Rose's attempt to reassure her husband because Nelson has let the receiver drop from his ear. When he puts it back, he starts talking again. "I want you to know — it's important that you know — that everything I've done is because I love you," he tells her, nearly in tears. "Nelson, you're frightening me," Rose says. "I have sinned, Rose, and a good and decent man has burned for those sins," he admits. "Listen to me," Rose pleads. "It's alright. I've made my peace. I'm neither fit for you nor am I fit to wear this badge," Van Alden insists. "I love you," he tells her before hanging up. So what does Nelson think that Clarkson knew? The money he was taking to get tips from Mickey and to pay off Lucy? Just about Lucy? Both?
Nucky and Margaret are — well, just as a voyeur, it doesn't appear to be lovemaking to me; if he were thrusting more forcefully her skull would hitting the headboard — having sex. Nucky finishes and rolls over while Margaret looks up, and it isn't an expression of satisfaction.
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The following morning, the Darmodys are finishing breakfast when Angela answers the phone and tells Jimmy that a man is returning his call. "Boychick, you left a message," Manny Horvitz says on the other end of the line. "Munya, hold on a minute," Jimmy covers the mouthpiece and tells Tommy to go to the other room with his mother. "What the fuck are you trying to pull, Manny?" Jimmy asks the Philly butcher/gangster as he carries the phone toward his window to stare at the beach. "Pull? I'm not the one who screwed you in a business deal, boychick," Horvitz replies. "Last night on the Boardwalk, I saw a friend of yours," Jimmy tells him. "Which friend?" Manny asks. "You really wanna play this game?" Jimmy retorts. "I don't play games, Mr. Darmody. There are any number of corpses that will attest to that. Now you can either tell me who you saw or quit wastin' my fuckin' time," Horvitz declares. "Your friend — Herman whatshisname — I met him at your shop. He was coming out of the Ritz with Waxey Gordon and Nucky Thompson," Jimmy informs him. "And you're sure about this?" Manny asks, almost in a whisper. "I'm positive," Jimmy answers. Manny inquires if Herman saw Jimmy but Jimmy assures Horvitz he didn't. "I'll ask you one more time boychick, you're certain it was Chayem with Waxey?" Jimmy reiterates that it was "The fella from your shop. Yes." Manny, who seems to have grown quieter throughout the phone call, says, "Let me ring you back" and hangs up.
Margaret sweeps beneath the table in the conservatory when Owen knocks and comes in. "Mrs. Thompson, good morning," he greets her. "Good morning," she says in return. He asks what she's doing and she tells him that she spilled some corn flakes. "Is Katy not here?" Sleater asks, since that would be her duty to clean up. "She took the children to the market," she informs him. "Selling them, are you?" Owen
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Nucky may not have slipped out of his legal noose yet. Jess Smith informs Harry Daugherty that Sen. Walter Edge (Geoff Pierson) "would like a word." Edge, the man who might have been vice president if Nucky hadn't made a deal to stop it because Edge double-crossed him on road funds, tells Daugherty he spoke with "his old friend Charlie Forbes" about the Department of Veterans Affairs. "A worthy endeavor, wouldn't you say?" Daugherty says. "Might even benefit a few veterans," Edge responds. Harry asks what Edge means. "Come on Harry — there are crooks and then there's Charlie Forbes," Edge declares. "He's a veteran himself, Walter," Daugherty proclaims. "So was Benedict Arnold," Edge counters, telling Daugherty that one of his constituents has urged him to launch a subcommittee to investigate the matter. This same "constituent" has another concern — Nucky. "He hates the son of a bitch," Edge laughs, then in a more serious tone. "It has come to his attention you have appointed a less-than-enthusiastic prosecutor to his case." Daugherty asks that should he appoint a prosecutor who takes Nucky's case more seriously — "Then I'm sure my interest in how you and your cronies plan to plunder the veterans' bureau would wane accordingly," Edge says. Daugherty puffs on his cigar and grins an uneasy grin.
Manny escorts Jimmy through the passageway leading to the meat freezers below his butcher shop. "I didn't want to do this for a living. People see the apron, they make assumptions. At 16 years old, I saw Emma Thomashefsky on stage at The Arch Street Theater. Boy, was I in love. Whadda ya think? Me — stagestruck — but Munya? My father wouldn't hear of it. Regrets — who has time? Here we go," Manny says as they reach their destination in the meat locker where among the various sides of beef hanging from the ceiling so does Chayem "Herman" Kaufman, bound and gagged, by his feet. "You remember Herman." Even Darmody finds himself shocked by this display. "Jesus, Manny," Jimmy exclaims. "Hey — not in my shop, boychick," the devout Jew responds to the Christian reference. "You dragged me to Philadelphia for this?" Jimmy asks. Manny tells him that he wanted him to hear it from the horse's mouth. "Look who's come Herman —
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Margaret and Teddy have reached the next two slots in the long line to see Father Brennan within his confessional. A woman steps out and takes the hand of her awaiting daughter so Margaret stands and steps behind the curtain of the booth. She crosses herself and the panel separating the two sides of the confessional slides open, shining light upon Margaret's face as she says, "Bless me Father, for I have sinned. It's been many years since my last confession." Father Brennan asks her how many years and she tells him she thinks it's been four. "I've been with an infant," she uses as an excuse. "Why has it been so long?" the priest inquires. "The children, life," she sighs. "Is God not part of that life? What have you to tell me?" he questions. "Forgive me Father, but I've really nothing to say," Margaret replies curtly. "You have no sins?" Brennan says. "Of course I do," she responds. "Do you not seek God's forgiveness?" he asks. "I've lied — dozens of times. Taken the Lord's name in vain," Margaret offers, but Brennan isn't ready to let her off the hook that easily and urges her to go on. "I've stolen from an employer," she adds. Brennan turns his head and looks toward the screen. "When you sin my child, you fracture your relationship with God. Tell me honestly what burdens you — search your soul — so I may heal that fracture," Father Brennan requests. This may be Kelly Macdonald's best episode of the season so far as you can see the conflict written on her face even when covered by the booth's screen. "There is a man, Father, and he is bad. I know he is — in my heart — but still I'm drawn to him somehow," Margaret confesses. "Physically you mean," Brennan deduces. "Yes. Impurely in my thoughts," she confirms. "This man — he provides for you and your children," Brennan guesses again, but he doesn't get the expected response this time. "No. He provides nothing. I hardly know him in fact. He works for my family," Margaret tells him. We don't need to see mixed signals anymore — Margaret has the hots for Owen Sleater.
"Don't be upset! Are you fuckin' kiddin' me?" Nucky yells through the phone at Daugherty when he relays the news of Edge's demand about the prosecutor switch and insists his hands are tied. "You are the attorney general, Harry. Since when does a no-name senator grab you by the balls?" Nucky wants to know. "Since the no-name senator threatens an investigation," Daugherty replies. Thompson can't fathom that there would be things to look into after only three months in office. "There are things in the works that I can't discuss," Daugherty tells him. Nucky asks that he pick a prosecutor that he can work with and Harry reminds him that he sent Thorogood. "A lot of help that did," Nucky sneers. "It's not my fault you have a lot of enemies," Daugherty responds. "My neck is on the line here, Harry," Nucky pleads. "Well, so's mine Nucky, so's mine," Daugherty replies. Immediately, Eddie and the Ritz's manager (John Mainieri) enter Chip's suite, making the two hookers scramble, and order Thorogood out in five minutes. Chip, understandably, is confused. Chip's green shoes end up with him on the bed and the manager says, "Nice shoes."
For some reason, it was OK in the 1920s to let someone visiting a hospital patient covered with third-degree burns to smoke a cigarette at his bedside because that's what Supervisor Elliot is doing when Van Alden returns to Clarkson's room. "Nelson, where have you been?" he asks. "The chapel, sir," Van Alden replies before asking if Clarkson has spoken again. "We've wired his family in Montana," Elliot tells him. "He's a good man, sir — an honest man. It should be me in that bed," Nelson says. "Stop it, Nelson," Elliot declares. "It's true, sir. I have something I need to tell you," Van Alden admits. Elliot leans back in his chair and looks up at Van Alden. Before Nelson can speak, Clarkson begins to again, repeating the same words as before. "I see you. I know," the injured agent mumbles, though he's not looking at Van Alden this time. "Hush now," says the nurse who has been treating his burns. "Relax." He keeps up his mantra while looking at her. "Why is he saying that?" Elliot asks. "He's delirious. Pay no attention. He's been saying that to everyone," the nurse tells them. Suddenly, Van Alden's expression changes dramatically. "I see you. I know what you did. I know what you're hiding. It's not fair. You ate the pie. I'll tell ma," Clarkson rambles while Nelson realizes he almost let his own guilt get the better of him. "I need to leave, sir," he says. "You wanted a word in private," Elliot reminds him. "No, it's not necessary," Nelson tells him. "He doesn't have much longer, sir," the nurse informs them.
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Van Alden returns home, remembering to get those lemons that Lucy had so loudly requested he obtain for her before he left that morning. He sets down the paper sack bearing the lemons on the table and walks over to the sink when he steps on the shards of the plate that Lucy broke when she started having contractions. "Lucy," Nelson calls out as he begins walking down the hall. It's another mirror of the opening, only this time we see Van Alden from the front and his steps don't reverberate like dire warnings. In fact, they make next to no sound at all. Van Alden stops, as if he's girding himself for what he might find before he enters Lucy's bedroom. His face goes pale with shock as he sees Lucy cradling the baby. (We got many scenes of her going through the labor, but thankfully were spared her cutting the umbilical cord by herself.) "I brought lemons," he tells her. "I did it all myself," Lucy responds, smiling and cooing at the newborn. "It's a girl," she informs Nelson. Van Alden doesn't know how he should react. He simply says, "I'll get a doctor" and rushes off. Mother kisses her baby girl on the forehead.
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A caravan of cars and trucks come driving through the woods en route to Atlantic City. In the lead vehicle, a driver (Angelo Berkowitz) escorts Meyer Lansky, who checks his watch shortly before a pop is heard and their car skids off the road. The caravan stops and Lansky and his driver get out to investigate as does Luciano from another vehicle. Lansky has his gun at the ready, but when Luciano asks what happens, Lansky assumes a tire blew when they hit a nail or something. "That ain't no fuckin' nail," Lucky recognizes. Soon, a barrage of bullets start coming from the trees. They take cover behind the car and fire back. When it sounds as if it's time to reload, a familiar voice shouts from the woods, "Drop your weapons." Luciano looks as if he knows who it is when the voice yells, "Throw your guns out and nobody gets hurt." Lucky smiles. "Darmody," he bellows. "Who's there?" Jimmy hollers back. "It's Lucky," he responds. "Identify yourself!" Jimmy demands. "It's Luciano, goddammit!" Lucky roars. Back by the trees, Horvitz asks Jimmy if he knows these fellas. "Alright, come out then," Jimmy tells them. "How do we know you ain't gonna shoot us?" Lucky asks. "I'm not going to shoot you," Jimmy promises. The
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Nelson returns with the doctor and directs him to Lucy's bedroom. He immediately notices that things have changed. Those lemons that he had left in that brown paper bag now are arranged neatly in a wire bowl. He blinks in puzzlement and looks at the floor where once shards of the broken plate lay. In the sink, a garment soaks in water. As he walks the path toward Lucy's room, his footsteps make more noise again and he literally is taken aback at the doorway to her bedroom. The doctor holds the baby, but a woman sits on the bed, wiping Lucy's forehead, a woman he recognizes even before she turns to face him. "She has a slight fever," Rose tells him. "Rose," Nelson says to his wife. "I'll get out of your way," she tells the doctor as she gets up and walks right past Van Alden. "What are you doing here?" Nelson asks as she's walking away. "On the phone you sounded distraught. I caught the first train I could. Agent Sawicki gave me the address. Hold on — he let Sawicki and, presumably, Clarkson know where he lived and he was worried about a truth that Clarkson could know? That sort of leaves the Lucy part out, doesn't it? Of course, now I can see what was really worrying you," Rose explains. "I did this for us. The child is for you," Nelson tells her as he reaches out for Rose, who starts hitting him. "Don't touch me!" she yells repeatedly while striking him. Van Alden tries to pin her arms to the wall and Rose bites his wrist and flees.
A photographer (Brad Aldous) gets Teddy prepared take his official picture to commemorate his first confession. As Nucky and Margaret watch, Nucky says to Margaret, "I trust your soul is pure." She smiles at him but doesn't speak. "Your confession," he elaborates. "Yes, I'm sure it is." she answers. "What did you end up saying?" he asks. At that moment, Owen happens to enter the house and tells Nucky that he'll pull the car around up front. "Nothing that need concern you," Margaret replies, making that total number of lies she has told a little higher. Lillian brings Emily in. "Look at him, how dear. Another little soldier in God's army," Lillian declares about Teddy. The photographer tells the boy to hold still and takes the photo. After his flashbulb goes off, whiffs of smoke rise in the air after capturing the budding pyromaniac's image on film.
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